As their new film for the National Theatre is broadcast, the duo look back on a phenomenal series of stories on class, race, sport and British identity “Quiet on set, please!” They are not the words you might expect to hear at a theatre, but these are not usual times. Behind the stage and cosy velvet auditorium of the National Theatre’s Lyttelton venue, we are in a dark, cavernous complex overrun with wires and scaffolding, where the film Death of England: Face to Face is being shot. Light falls through the windows of a makeshift flat where Delroy (played by Hamilton’s Giles Terera) is reconciling with his friend Michael (Utopia’s Neil Maskell) after a longstanding feud. The characters reflect on the tumultuous events of the day, before Michael takes Delroy’s baby daughter back to her mother. “I’ll have her back in your loving arms before it gets dark – just chillax,” Michael tells her on the phone. The dialogue continues but the baby’s unscripted wails prompt a “cut!” from director Clint Dyer.
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