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21 Jul 9:00am

Kandisha review – feminist horror gets postcolonial on men’s asses

The Guardian
Three Parisian female graffiti writers summon a vengeful succubus in a movie that draws inspiration equally from Candyman and Moroccan fireside folklore Western nations have been slow to use cinema to confront the modern-day legacy of colonialism – but perhaps France’s especially acrimonious decolonisation means the ripples are felt more violently in that country’s films than most. After the invisible threat in
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